News Media

News media and journalists engage in the international launches of the "Ododo Wa: Stories of Girls in War" exhibits. Journalists and news media organizations document the exhibit, its travels, and its aims. As a result, there are sources to review in a news media analysis. 

Selected news features, excerpts, and quotes are showcased in this path to show how news media engages the exhibit. In addition, this path includes Evelyn Amony's and Grace Acan's reflections on their experience talking to the media and "deeper dives" into topics that emerge from journalists' coverage.  

This analysis was conducted by CSiW Scalar team. We found that most coverage makes space for more storytelling and comment by the exhibit's makers. The main information our analysis found is: the way news media frames and engages the exhibit; the types of questions posed by journalists; the responses to these questions; and future directions. 

Through a close reading of the news media sources we found five main themes:
1) survivor-centred approaches to sexual violence in conflict,
2) "breaking silence" on experiences of women and girls in war;
3) persistent struggles
4) justice for survivors; and
5) transnational organizing and future directions

Follow the path through each theme below.

Sources

• Where possible in the news media section, links to sources demonstrative of the findings are included. 
• Transcripts for some sources, such as Grace Acan's and Evelyn Amony's interview with Ismaila Alfa, have been made. If you would like to request a transcript, e-mail your request to csiwproj@yorku.ca. 

As a strategy for impact and engagement, CSiW, the Canadian Museum for Human Rights (CMHR), and the Refugee Law Project (RLP), engaged news media and journalists in the launch of the "Ododo Wa: Stories of Girls in War" exhibits. Journalists and news media organizations have been an important part of documenting the exhibit, its travels, and its aims. As a result, there is a wealth of materials to consider in a news media analysis. 

Selected news features, excerpts, and quotes are showcased in this path to show how news media took up the exhibit. In addition, this path includes Evelyn Amony's and Grace Acan's reflections on their experience talking to the media as well as "deeper dives" into topics that emerged from journalists' coverage.  

This analysis was conducted by CSiW graduate researchers Sarah York-Bertram, Andrea González, and Zhi Ming Sim. We found that most of the news media coverage functioned as a platform for more storytelling and comment by those who were involved with the exhibit. Therefore, the main information this analysis comprises involves: the way news media frames and engages the exhibit; the types of questions posed by journalists; the responses to these questions, by those involved; and the future directions that appear to be relevant based on the exchanges in news media. To gather feedback, these findings were presented to CSiW student researchers and partners, as well as Grace Acan, and Evelyn Amony.  

Through a close reading of the news media sources we found five main themes:
1) survivor-centred approaches to sexual violence in conflict,
2) "breaking silence" on experiences of women and girls in war;
3) persistent struggles
4) justice for survivors; and
5) transnational organizing and future directions

Follow the path through each theme below.

Sources

• Where possible in the news media section, links to sources demonstrative of the findings are included. 
• Transcripts for some sources, such as Grace Acan's and Evelyn Amony's interview with Ismaila Alfa, have been made. If you would like to request a transcript, e-mail your request to csiwproj@yorku.ca. 

As a strategy for impact and engagement, CSiW, the Canadian Museum for Human Rights (CMHR), and the Refugee Law Project (RLP), engaged news media and journalists in the launch of the "Ododo Wa: Stories of Girls in War" exhibits. Journalists and news media organizations have been an important part of documenting the exhibit, its travels, and its aims. As a result, there is a wealth of materials to consider in a news media analysis. 

Selected news features, excerpts, and quotes are showcased in this path to show how news media took up the exhibit. In addition, this path includes Evelyn Amony's and Grace Acan's reflections on their experience talking to the media as well as "deeper dives" into topics that emerged from journalists' coverage.  

This analysis was conducted by CSiW graduate researchers Sarah York-Bertram, Andrea González, and Zhi Ming Sim. We found that most of the news media coverage functioned as a platform for more storytelling and comment by those who were involved with the exhibit. Therefore, the main information this analysis comprises involves: the way news media frames and engages the exhibit; the types of questions posed by journalists; the responses to these questions, by those involved; and the future directions that appear to be relevant based on the exchanges in news media. To gather feedback, these findings were presented to CSiW student researchers and partnersm as well as Grace Acan, and Evelyn Amony.  

Through a close reading of the news media sources we found five main themes:
1) survivor-centred approaches to sexual violence in conflict,
2) "breaking silence" on experiences of women and girls in war;
3) persistent struggles
4) justice for survivors; and
5) transnational organizing and future directions

Follow the path through each theme below.

Sources

• Where possible, links to sources consulted in this media analysis are included. 
• Transcripts for some sources, such as Grace Acan's and Evelyn Amony's interview with Ismaila Alfa, have been made. If you would like to request a transcript, e-mail your request to csiwproj@yorku.ca. 

As a strategy for impact and engagement, Conjugal Slavery in War (CSiW), the Canadian Museum for Human Rights (CMHR), and the Refugee Law Project (RLP), engaged news media and journalists in the launch of the Ododo Wa: Stories of Girls in War exhibits. Journalists and news media organizations have been an important part of documenting the exhibit, its travels, and its aims. As a result, there is a wealth of materials to consider in a news media analysis of responses to Ododo Wa. 

Selected news features and excerpts are showcased in this path to offer viewers an opportunity to see how various news media took up the exhibit. In addition, this path includes Evelyn Amony's and Grace Acan's reflections on their experience talking to the media as well as "deeper dives" into topics that emerged from journalists' coverage.  

We found that most of the news media coverage functioned as a platform for more storytelling and comment by those who were involved with the exhibit. Therefore, the main information this analysis comprises involves: the way news media frames and engages the exhibit; the types of questions posed by journalists; the responses to these questions, by those involved; and the future directions that appear to be relevant based on the exchanges in news media.

Through a close reading of the news media sources we found five main themes:
1) survivor-centred approaches to sexual violence in conflict,
2) "breaking silence" on experiences of women and girls in war;
3) persistent struggles
4) justice for survivors; and
5) transnational organizing and future directions

Follow the path through each theme below.
 

As a strategy for impact and engagement, Conjugal Slavery in War (CSiW), the Canadian Museum for Human Rights (CMHR), and the Refugee Law Project (RLP), engaged news media and journalists in the launch of the Ododo Wa: Stories of Girls in War exhibits. Journalists and news media organizations have been an important part of documenting the exhibit, its travels, and its aims. As a result, there is a wealth of materials to consider in a news media analysis of responses to Ododo Wa. 

Selected news features and excerpts are showcased in this path to offer viewers an opportunity to see how various news media took up the exhibit. In addition, this path includes Evelyn Amony's and Grace Acan's reflections on their experience talking to the media as well as "deeper dives" into topics that emerged from journalists' coverage.  

We found that most of the news media coverage functioned as a platform for more storytelling and comment by those who were involved with the exhibit. Therefore, the main information this analysis comprises involves: the way news media frames and engages the exhibit; the types of questions posed by journalists; the responses to these questions, by those involved; and the future directions that appear to be relevant based on the exchanges in news media.

Through a close reading of the news media sources we found five main themes:
1) survivor-centred approaches to sexual violence in conflict,
2) "breaking silence" on experiences of women and girls in war;
3) persistent struggles
4) justice for survivors; and
5) transnational organizing and future directions

Follow the path through each theme below.
 

As a strategy for impact and engagement, Conjugal Slavery in War (CSiW), the Canadian Museum for Human Rights (CMHR), and the Refugee Law Project (RLP), engaged news media and journalists in the launch of the Ododo Wa: Stories of Girls in War exhibits. Journalists and news media organizations have been an important part of documenting the exhibit, its travels, and its aims. As a result, there is a wealth of materials to consider in a news media analysis of responses to Ododo Wa. 

Selected news features and excerpts are showcased in this path to offer viewers an opportunity to see how various news media took up the exhibit. In addition, this path includes Evelyn Amony's and Grace Acan's reflections on their experience talking to the media as well as "deeper dives" into topics that emerged from journalists' coverage.  

We found that most of the news media coverage functioned as a platform for more storytelling and comment by those who were involved with the exhibit. Therefore, the main information this analysis comprises involves: the way news media frames and engages the exhibit; the types of questions posed by journalists; the responses to these questions, by those involved; and the future directions that appear to be relevant based on the exchanges in news media.

Through a close reading of the news media sources we found five main themes:
1) survivor-centred approaches to sexual violence in conflict,
2) "breaking silence" on experiences of women and girls in war;
3) persistent struggles
4) justice for survivors; and
5) transnational organizing and future directions

Follow the path through each theme below.
 

As a strategy for impact and engagement, Conjugal Slavery in War (CSiW), the Canadian Museum for Human Rights (CMHR), and the Refugee Law Project (RLP), engaged news media and journalists in the launch of the Ododo Wa: Stories of Girls in War exhibits. Journalists and news media organizations have been an important part of documenting the exhibit, its travels, and its aims. As a result, there is a wealth of materials to consider in a news media analysis of responses to Ododo Wa. 

Selected news features and excerpts are showcased in this path to offer viewers an opportunity to see how various news media took up the exhibit. In addition, this path includes Evelyn Amony's and Grace Acan's reflections on their experience talking to the media as well as "deeper dives" into topics that emerged from journalists' coverage.  

We found that most of the news media coverage functioned as a platform for more storytelling and comment by those who were involved with the exhibit. Therefore, the main information this analysis comprises involves: the way news media frames and engages the exhibit; the types of questions posed by journalists; the responses to these questions, by those involved; and the future directions that appear to be relevant based on the exchanges in news media.

Through a close reading of the news media sources we found five main themes:
1) survivor-centred approaches to sexual violence in conflict,
2) "breaking silence" on experiences of women and girls in war;
3) persistent struggles
4) justice for survivors; and
5) transnational organizing and future directions

Follow the path through each theme below.
 

As a strategy for impact and engagement, Conjugal Slavery in War (CSiW), the Canadian Museum for Human Rights (CMHR), and the Refugee Law Project (RLP), engaged news media and journalists in the launch of the Ododo Wa: Stories of Girls in War exhibits. Journalists and news media organizations have been an important part of documenting the exhibit, its travels, and its aims. As a result, there is a wealth of materials to consider in a news media analysis of responses to Ododo Wa. 

Selected news features and excerpts are showcased in this path to offer viewers an opportunity to see how various news media took up the exhibit. In addition, this path includes Evelyn Amony's and Grace Acan's reflections on their experience talking to the media as well as "deeper dives" into topics that emerged from journalists' coverage.  

We found that most of the news media coverage functioned as a platform for more storytelling and comment by those who were involved with the exhibit. Therefore, the main information this analysis comprises involves: the way news media frames and engages the exhibit; the types of questions posed by journalists; the responses to these questions, by those involved; and the future directions that appear to be relevant based on the exchanges in news media.

Through a close reading of the news media sources we found five main themes:
1) survivor-centred approaches to sexual violence in conflict,
2) "breaking silence" on experiences of women and girls in war;
3) persistent struggles
4) justice for survivors; and
5) transnational organizing and future directions

Follow the path through each theme below.
 

As a strategy for impact and engagement, Conjugal Slavery in War (CSiW), the Canadian Museum for Human Rights (CMHR), and the Refugee Law Project (RLP), engaged news media and journalists in the launch of the Ododo Wa: Stories of Girls in War exhibits. Journalists and news media organizations have been an important part of documenting the exhibit, its travels, and its aims. As a result, there is a wealth of materials to consider in a news media analysis of responses to Ododo Wa. 

Selected news features and excerpts are showcased in this path to offer viewers an opportunity to see how various news media took up the exhibit. In addition, this path includes Evelyn Amony's and Grace Acan's reflections on their experience talking to the media as well as "deeper dives" into topics that emerged from journalists' coverage.  

We found that most of the news media coverage functioned as a platform for more storytelling and comment by those who were involved with the exhibit. Therefore, the main information this analysis comprises involves: the way news media frames and engages the exhibit; the types of questions posed by journalists; the responses to these questions, by those involved; and the future directions that appear to be relevant based on the exchanges in news media.

Through a close reading of the news media sources we found five main themes:
1) survivor-centred approaches to sexual violence in conflict,
2) "breaking silence" on experiences of women and girls in war;
3) persistent struggles
4) justice for survivors; and
5) transnational organizing and future directions

Follow the path through each theme below.
 

As a strategy for impact and engagement, Conjugal Slavery in War (CSiW), the Canadian Museum for Human Rights (CMHR), and the Refugee Law Project (RLP), engaged news media and journalists in the launch of the Ododo Wa: Stories of Girls in War exhibits. Journalists and news media organizations have been an important part of documenting the exhibit, its travels, and its aims. As a result, there is a wealth of materials to consider in a news media analysis of responses to Ododo Wa. 

Selected news features and excerpts are showcased in this path to offer viewers an opportunity to see how various news media took up the exhibit. In addition, this path includes Evelyn Amony's and Grace Acan's reflections on their experience talking to the media as well as "deeper dives" into topics that emerged from journalists' coverage.  

We found that most of the news media coverage functioned as a platform for more storytelling and comment by those who were involved with the exhibit. Therefore, the main information this analysis comprises involves: the way news media frames and engages the exhibit; the types of questions posed by journalists; the responses to these questions, by those involved; and the future directions that appear to be relevant based on the exchanges in news media.

Through a close reading of the news media sources we found five main themes:
1) survivor-centred approaches to sexual violence in conflict,
2) "breaking silence" on experiences of women and girls in war;
3) persistent struggles
4) justice for survivors; and
5) transnational organizing and future directions

Follow the path through each theme below.
 

As a strategy for impact and engagement, Conjugal Slavery in War (CSiW), the Canadian Museum for Human Rights (CMHR), and the Refugee Law Project (RLP), engaged news media and journalists in the launch of the Ododo Wa: Stories of Girls in War exhibits. Journalists and news media organizations have been an important part of documenting the exhibit, its travels, and its aims. As a result, there is a wealth of materials to consider in a news media analysis of responses to Ododo Wa. 

Selected news features and excerpts are showcased in this path to offer viewers an opportunity to see how various news media took up the exhibit. In addition, this path includes Evelyn Amony's and Grace Acan's reflections on their experience talking to the media as well as "deeper dives" into topics that emerged from journalists' coverage.  

We found that most of the news media coverage functioned as a platform for more storytelling and comment by those who were involved with the exhibit. Therefore, the main information this analysis comprises involves: the way news media frames and engages the exhibit; the types of questions posed by journalists; the responses to these questions, by those involved; and the future directions that appear to be relevant based on the exchanges in news media.

Through a close reading of the news media sources we found five main themes:
1) survivor-centred approaches to sexual violence in conflict,
2) "breaking silence" on experiences of women and girls in war;
3) persistent struggles
4) justice for survivors; and
5) transnational organizing and future directions

Follow the path through each theme below.
 

As a strategy for impact and engagement, Conjugal Slavery in War (CSiW), the Canadian Museum for Human Rights (CMHR), and the Refugee Law Project (RLP), engaged news media and journalists in the launch of the Ododo Wa: Stories of Girls in War exhibits. Journalists and news media organizations have been an integral part of documenting the exhibit, its travels, and its aims. As a result, there is a wealth of materials to consider in a news media analysis of responses to Ododo Wa. 

Selected news features and excerpts are showcased in this path to offer viewers an opportunity to see how various news media took up the exhibit. In addition, this path includes "deeper dives" into topics that emerged from journalists' coverage.  

We found that most of the news media coverage functioned as a platform for more storytelling and comment by those who were involved with the exhibit. Therefore, the main information this analysis comprises involves: the way news media frames and engages the exhibit; the types of questions posed by journalists; the responses to these questions, by those involved; and the future directions that appear to be relevant based on the exchanges in news media.

Through a close reading of the news media sources we found five main themes:
1) survivor-centred approaches to sexual violence in conflict,
2) "breaking silence" on experiences of women and girls in war;
3) persistent struggles
4) justice for survivors; and
5) transnational organizing and future directions

Follow the path through each theme below.
 

As a strategy for impact and engagement, Conjugal Slavery in War (CSiW), the Canadian Museum for Human Rights (CMHR), and the Refugee Law Project (RLP), engaged news media and journalists in the launch of the Ododo Wa: Stories of Girls in War exhibits. Journalists and news media organizations have been an integral part of documenting the exhibit, its travels, and its aims. As a result, there is a wealth of materials to consider in a news media analysis of responses to Ododo Wa. 

Selected news features and excerpts are showcased in this path to offer viewers an opportunity to see how various news media took up the exhibit. In addition, this path includes "deeper dives" into topics that emerged from journalists' coverage.  

We found that most of the news media coverage functioned as a platform for more storytelling and comment by those who were involved with the exhibit. Therefore, the main information this analysis comprises involves: the way news media frames and engages the exhibit; the types of questions posed by journalists; the responses to these questions, by those involved; and the future directions that appear to be relevant based on the exchanges in news media.

Through a close reading of the news media sources we found five main themes:
1) survivor-centred approaches to sexual violence in conflict,
2) "breaking silence" on experiences of women and girls in war;
3) persistent struggles
4) justice for survivors; and
5) transnational organizing and future directions

Follow the path through each theme below.
 

As a strategy for impact and engagement, Conjugal Slavery in War (CSiW), the Canadian Museum for Human Rights (CMHR), and the Refugee Law Project (RLP), engaged news media and journalists in the launch of the Ododo Wa: Stories of Girls in War exhibits. Journalists and news media organizations have been an integral part of documenting the exhibit, its travels, and its aims. As a result, there is a wealth of materials to consider in a news media analysis of responses to Ododo Wa. 

Selected news features are showcased in this path to offer viewers an opportunity to see how various news media took up the exhibit. In addition, this path includes "deeper dives" into topics that emerged from journalists' coverage of the exhibit and their dialogues with Grace Acan and Evelyn Amony.  

We found that most of the news media coverage functioned as a platform for more storytelling and comment by those who were involved with the exhibit. Therefore, the main information this analysis comprises involves: the way news media frames and engages the exhibit; the types of questions posed by journalists; the responses to these questions, by those involved; and the future directions that appear to be relevant based on the exchanges in news media.

Through a close reading of the news media sources we found five main themes:
1) survivor-centred approaches to sexual violence in conflict,
2) "breaking silence" on experiences of women and girls in war;
3) persistent struggles
4) justice for survivors; and
5) transnational organizing and future directions

Follow the path through each theme below.
 

As a strategy for impact and engagement, Conjugal Slavery in War (CSiW), the Canadian Museum for Human Rights (CMHR), and the Refugee Law Project (RLP), engaged news media and journalists in the launch of the Ododo Wa: Stories of Girls in War exhibits. Journalists and news media organizations have been an integral part of documenting the exhibit, its travels, and its aims. As a result, there is a wealth of materials to consider in a news media analysis of responses to Ododo Wa. 

Selected news features are showcased in this path to offer viewers an opportunity to see how various news media took up the exhibit. In addition, this path includes "deeper dives" into topics that emerged from journalists' coverage of the exhibit and their dialogues with Grace Acan and Evelyn Amony.  

We found that most of the news media coverage functioned as a platform for more storytelling and comment by those who were involved with the exhibit. Therefore, the main information this analysis comprises involves: the way news media frames and engages the exhibit; the types of questions posed by journalists; the responses to these questions, by those involved; and the future directions that appear to be relevant based on the exchanges in news media.

Through a close reading of the news media sources we found five main themes:
1) survivor-centred approaches to sexual violence in conflict,
2) "breaking silence" on experiences of women and girls in war;
3) persistent struggles
4) justice for survivors; and
5) transnational organizing and future directions

Follow the paths through each theme below.
 

As a strategy for impact and engagement, Conjugal Slavery in War (CSiW), the Canadian Museum for Human Rights (CMHR), and the Refugee Law Project (RLP), engaged news media and journalists in the launch of the Ododo Wa: Stories of Girls in War exhibits. Journalists and news media organizations have been an integral part of documenting the exhibit, its travels, and its aims. As a result, there is a wealth of materials to consider in a news media analysis of responses to Ododo Wa. 

Selected news features are showcased in this path to offer viewers an opportunity to see how various news media took up the exhibit. In addition, this path includes "deeper dives" into topics that emerged from journalists' coverage of the exhibit and their dialogues with Grace Acan and Evelyn Amony.  

We found that most of the news media coverage functioned as a platform for more storytelling and comment by those who were involved with the exhibit. Therefore, the main information this analysis comprises involves: the way news media frames and engages the exhibit; the types of questions posed by journalists; the responses to these questions, by those involved; and the future directions that appear to be relevant based on the exchanges in news media.

Through a close reading of the news media sources we found five main themes:
1) survivor-centred approaches to sexual violence in conflict,
2) "breaking silence" on experiences of women and girls in war;
3) persistent struggles
4) justice for survivors; and
5) transnational responses for future reconciliation and prevention

Follow the paths through each theme below.
 

As a strategy for impact and engagement, Conjugal Slavery in War (CSiW), the Canadian Museum for Human Rights (CMHR), and the Refugee Law Project (RLP), engaged news media and journalists in the launch of the Ododo Wa: Stories of Girls in War exhibits. Journalists and news media organizations have been an integral part of documenting the exhibit, its travels, and its aims. As a result, there is a wealth of materials to consider in a news media analysis of responses to Ododo Wa. 

Selected news features are showcased in this path to offer viewers an opportunity to see how various news media took up the exhibit. In addition, this path includes "deeper dives" into the themes 

We found that most of the sources functioned as a platform for more storytelling and comment by those who were involved with the exhibit. Therefore, the main information this analysis comprises involves: the way each piece of news media frames and engages the exhibit; the types of questions posed by journalists; the responses to these questions, by those involved; and the future directions that appear to be relevant based on the exchanges in news media.

Through a close reading of the news media sources we found five main themes:
1) survivor-centred approaches to sexual violence in conflict,
2) "breaking silence" on experiences of women and girls in war;
3) persistent struggles
4) justice for survivors; and
5) transnational responses for future reconciliation and prevention

Follow the paths through each theme below.
 

As a strategy for impact and engagement, Conjugal Slavery in War (CSiW), the Canadian Museum for Human Rights (CMHR), and the Refugee Law Project (RLP), engaged news media and journalists in the launch of the Ododo Wa: Stories of Girls in War exhibits. Journalists and news media organizations have been an integral part of documenting the exhibit, its travels, and its aims. As a result, there is a wealth of materials to consider in a news media analysis of responses to Ododo Wa. 

Selected news features are showcased in this path to offer viewers an opportunity to see how various news media took up the exhibit. In addition, this path includes "deeper dives" into the themes 

We found that most of the sources functioned as a platform for more storytelling and comment by those who were involved with the exhibit. Therefore, the main information this analysis comprises involves: the way each piece of news media frames and engages the exhibit; the types of questions posed by journalists; the responses to these questions, by those involved; and the future directions that appear to be relevant based on the exchanges in news media.

Through a close reading of the news media sources we found five main themes:
1) survivor-centred approaches to sexual violence in conflict,
2) "breaking silence" on experiences of women and girls in war;
3) persistent struggles
4) justice for survivors; and
5) transnational responses for future reconciliation and prevention

Follow the paths through each theme below.
 

As a strategy for impact and engagement, Conjugal Slavery in War (CSiW), the Canadian Museum for Human Rights (CMHR), and the Refugee Law Project (RLP), engaged news media and journalists in the launch of the Ododo Wa: Stories of Girls in War exhibits. Journalists and news media organizations have been an integral part of documenting the exhibit, its travels, and its aims. As a result, there is a wealth of materials to consider in a news media analysis of responses to Ododo Wa. 

Selected news features are showcased in this path to offer viewers an opportunity to see how various news media took up the exhibit.

We found that most of the sources functioned as a platform for more storytelling and comment by those who were involved with the exhibit. Therefore, the main information this analysis comprises involves: the way each piece of news media frames and engages the exhibit; the types of questions posed by journalists; the responses to these questions, by those involved; and the future directions that appear to be relevant based on the exchanges in news media.

Through a close reading of the news media sources we found five main themes:
1) survivor-centred approaches to sexual violence in conflict,
2) "breaking silence" on experiences of women and girls in war;
3) persistent struggles
4) justice for survivors; and
5) transnational responses for future reconciliation and prevention

Follow the paths through each theme below.
 

As a strategy for impact and engagement, Conjugal Slavery in War (CSiW), the Canadian Museum for Human Rights (CMHR), and the Refugee Law Project (RLP), engaged news media and journalists in the launch of the Ododo Wa: Stories of Girls in War exhibits. Journalists and news media organizations have been an integral part of documenting the exhibit, its travels, and its aims. As a result, there is a wealth of materials to consider in a news media analysis of responses to Ododo Wa. 

Selected news features are showcased in this path to offer viewers an opportunity to see how various news media took up the exhibit.

We found that most of the sources functioned as a platform for more storytelling and comment by those who were involved with the exhibit. Therefore, the main information this analysis comprises involves: the way each piece of news media frames and engages the exhibit; the types of questions posed by journalists; the responses to these questions, by those involved; and the future directions that appear to be relevant based on the exchanges in news media.

Through a close reading of the news media sources we found five main themes:
1) survivor-centred approaches to sexual violence in conflict,
2) "breaking silence" on experiences of women and girls in war;
3) persistent struggles
4) justice for survivors; and
5) transnational responses for future reconciliation and prevention

Follow the paths through each theme below.
 

As a strategy for impact and engagement, Conjugal Slavery in War (CSiW), the Canadian Museum for Human Rights (CMHR), and the Refugee Law Project (RLP), engaged news media and journalists in the launch of the Ododo Wa: Stories of Girls in War exhibits. Journalists and news media organizations have been an integral part of documenting the exhibit, its travels, and its aims. As a result, there is a wealth of materials to consider in a news media analysis of responses to Ododo Wa. 

Selected news features are showcased in this path to offer viewers an opportunity to see how various news media took up the exhibit.

We found that most of the sources functioned as a platform for more storytelling and comment by those who were involved with the exhibit. Therefore, the main information this analysis comprises involves: the way each piece of news media frames and engages the exhibit; the types of questions posed by journalists; the responses to these questions, by those involved; and the future directions that appear to be relevant based on the exchanges in news media.

Through a close reading of the news media sources we found five main themes:
1) survivor-centred approaches to sexual violence in conflict,
2) "breaking silence" on experiences of women and girls in war;
3) persistent struggles
4) justice for survivors; and
5) transnational responses for future reconciliation and prevention

Follow the paths through each theme below.
 

As a strategy for impact and engagement, Conjugal Slavery in War (CSiW), the Canadian Museum for Human Rights (CMHR), and the Refugee Law Project (RLP), engaged news media and journalists in the launch of the Ododo Wa: Stories of Girls in War exhibits. Journalists and news media organizations have been an integral part of documenting the exhibit, its travels, and its aims. As a result, there is a wealth of materials to consider in a news media analysis of responses to Ododo Wa. 

Selected news features are showcased in this path to offer viewers an opportunity to see how various news media took up the exhibit.

We found that most of the sources functioned as a platform for more storytelling and comment by those who were involved with the exhibit. Therefore, the main information this analysis comprises involves: the way each piece of news media frames and engages the exhibit; the types of questions posed by journalists; the responses to these questions, by those involved; and the future directions that appear to be relevant based on the exchanges in news media.

Through a close reading of the news media sources we found five main themes:
1) survivor-centred approaches to sexual violence in conflict,
2) "breaking silence" on experiences of women and girls in war;
3) persistent struggles
4) justice for survivors; and
5) transnational responses for future reconciliation and prevention

Follow the paths through each theme below.
 

As a strategy for impact and engagement, Conjugal Slavery in War (CSiW), the Canadian Museum for Human Rights (CMHR), and the Refugee Law Project (RLP), engaged news media and journalists in the launch of the Ododo Wa: Stories of Girls in War exhibits. Journalists and news media organizations have been an integral part of documenting the exhibit, its travels, and its aims. As a result, there is a wealth of materials to consider in a news media analysis of responses to Ododo Wa. 

Selected news features are showcased in this path to offer viewers an opportunity to see how various news media took up the exhibit.

We found that most of the sources functioned as a platform for more storytelling and comment by those who were involved with the exhibit. Therefore, the main information this analysis comprises involves: the way each piece of news media frames and engages the exhibit; the types of questions posed by journalists; the responses to these questions, by those involved; and the future directions that appear to be relevant based on the exchanges in news media.

Through a close reading of the news media sources we found five main themes:
1) survivor-centred approaches to sexual violence in conflict,
2) "breaking silence" on experiences of women and girls in war;
3) persistent struggles
4) justice for survivors; and
5) transnational responses for future reconciliation and prevention

Follow the paths through each theme below.
 

As a strategy for impact and engagement, Conjugal Slavery in War (CSiW), the Canadian Museum for Human Rights (CMHR), and the Refugee Law Project (RLP), engaged news media and journalists in the launch of the Ododo Wa: Stories of Girls in War exhibits. Journalists and news media organizations have been an integral part of documenting the exhibit, its travels, and its aims. As a result, there is a wealth of materials to consider in a news media analysis of responses to Ododo Wa. 

Selected news features are showcased in this path to offer viewers an opportunity to see how various news media took up the exhibit.

We found that most of the sources functioned as a platform for more storytelling and comment by those who were involved with the exhibit. Therefore, the main information this analysis comprises involves: the way each piece of news media frames and engages the exhibit; the types of questions posed by journalists; the responses to these questions, by those involved; and the future directions that appear to be relevant based on the exchanges in news media.

Through a close reading of the news media sources we found five main themes:
1) survivor-centred approaches to sexual violence in conflict,
2) "breaking silence" on experiences of women and girls in war;
3) persistent struggles
4) justice for survivors; and
5) transnational responses for future reconciliation and prevention

Follow the paths through each theme below.
 

As a strategy for impact and engagement, Conjugal Slavery in War (CSiW), the Canadian Museum for Human Rights (CMHR), and the Refugee Law Project (RLP), engaged news media and journalists in the launch of the Ododo Wa: Stories of Girls in War exhibits. Journalists and news media organizations have been an integral part of documenting the exhibit, its travels, and its aims. As a result, there is a wealth of materials to consider in a news media analysis of responses to Ododo Wa. 

Selected news features are showcased in this path to offer viewers an opportunity to see how various news media took up the exhibit.

We found that most of the sources functioned as a platform for more storytelling and comment by those who were involved with the exhibit. Therefore, the main information this analysis comprises involves: the way each piece of news media frames and engages the exhibit; the types of questions posed by journalists; the responses to these questions, by those involved; and the future directions that appear to be relevant based on the exchanges in news media.

Through a close reading of the news media sources we found five main themes:
1) survivor-centred approaches to sexual violence in conflict,
2) "breaking silence" on experiences of women and girls in war;
3) persistent struggles
4) justice for survivors; and
5) transnational responses for future reconciliation and prevention

Follow the paths through each theme below.
 

As a strategy for impact and engagement, Conjugal Slavery in War (CSiW), the Canadian Museum for Human Rights (CMHR), and the Refugee Law Project (RLP), engaged news media and journalists in the launch of the Ododo Wa: Stories of Girls in War exhibits. Journalists and news media organizations have been an integral part of documenting the exhibit, its travels, and its aims. As a result, there is a wealth of materials to consider in a news media analysis of responses to Ododo Wa. 

Selected news features are showcased in this path to offer viewers an opportunity to see how various news media took up the exhibit.

We found that most of the sources functioned as a platform for more storytelling and comment by those who were involved with the exhibit. Therefore, the main information this analysis comprises involves: the way each piece of news media frames and engages the exhibit; the types of questions posed by journalists; the responses to these questions, by those involved; and the future directions that appear to be relevant based on the exchanges in news media.

Through a close reading of the news media sources we found five main themes:
1) survivor-centred approaches to sexual violence in conflict,
2) "breaking silence" on experiences of women and girls in war;
3) persistent struggles
4) justice for survivors; and
5) transnational responses for future reconciliation and prevention

Follow the paths through each theme below.
 

As a strategy for impact and engagement, Conjugal Slavery in War (CSiW), the Canadian Museum for Human Rights (CMHR), and the Refugee Law Project (RLP), engaged news media and journalists in the launch of the Ododo Wa: Stories of Girls in War exhibits. Journalists and news media organizations have been an integral part of documenting the exhibit, its travels, and its aims. As a result, there is a wealth of materials to consider in a news media analysis of responses to Ododo Wa. 

Selected news features are showcased in this path to offer viewers an opportunity to see how various news media took up the exhibit.

We found that most of the sources functioned as a platform for more storytelling and comment by those who were involved with the exhibit. Therefore, the main information this analysis comprises involves: the way each piece of news media frames and engages the exhibit; the types of questions posed by journalists; the responses to these questions, by those involved; and the future directions that appear to be relevant based on the exchanges in news media.

Through a close reading of the news media sources we found five main themes:
1) survivor-centred approaches to sexual violence in conflict,
2) "breaking silence" on experiences of women and girls in war;
3) persistent struggles
4) justice for survivors; and
5) transnational responses for future reconciliation and prevention

Follow the paths through each theme below.
 

As a strategy for impact and engagement, Conjugal Slavery in War (CSiW), the Canadian Museum for Human Rights (CMHR), and the Refugee Law Project (RLP), engaged news media and journalists in the launch of the Ododo Wa: Stories of Girls in War exhibits. Journalists and news media organizations have been an integral part of documenting the exhibit, its travels, and its aims. As a result, there is a wealth of materials to consider in a news media analysis of responses to Ododo Wa. 

Selected news features are showcased in this path to offer viewers an opportunity to see how various news media took up the exhibit.

We found that most of the sources functioned as a platform for more storytelling and comment by those who were involved with the exhibit. Therefore, the main information this analysis comprises involves: the way each piece of news media frames and engages the exhibit; the types of questions posed by journalists; the responses to these questions, by those involved; and the future directions that appear to be relevant based on the exchanges in news media.

Through a close reading of the news media sources we found five main themes:
1) survivor-centred approaches to sexual violence in conflict,
2) "breaking silence" on experiences of women and girls in war;
3) persistent struggles
4) justice for survivors; and
5) transnational responses for future reconciliation and prevention

Follow the paths through each theme below.

As a strategy for impact and engagement, Conjugal Slavery in War (CSiW), the Canadian Museum for Human Rights (CMHR), and the Refugee Law Project (RLP), engaged news media and journalists in the launch of the Ododo Wa: Stories of Girls in War exhibits. Journalists and news media organizations have been an integral part of documenting the exhibit, its travels, and its aims. As a result, there is a wealth of materials to consider in a news media analysis of responses to Ododo Wa. 

In our definition, we are including arts news, events news, University news, and features in CTV News, The Winnipeg Free Press, CBC News Network, The Independent Uganda, New Vision Uganda, and China Global Television Network (CGTN) “Africa Live.” Some of these features are showcased in this path to offer viewers an opportunity to see how various news media took up the exhibit.

We found that most of the sources functioned as a platform for more storytelling and comment by those who were involved with the exhibit. Therefore, the main information this analysis comprises involves: 

• The way each piece of news media frames and engages the exhibit

• The types of questions posed by journalists

• The responses to these questions, by those involved

• The future directions that appear to be relevant based on the exchanges in news media.

Through a close reading of the news media sources we found five main themes, 

As a strategy for impact and engagement, Conjugal Slavery in War (CSiW), the Canadian Museum for Human Rights (CMHR), and the Refugee Law Project (RLP), engaged news media and journalists in the launch of the Ododo Wa: Stories of Girls in War exhibits. Journalists and news media organizations have been an integral part of documenting the exhibit, its travels, and its aims. As a result, there is a wealth of materials to consider in a news media analysis of responses to Ododo Wa. 

In our definition, we are including arts news, events news, University news, and features in CTV News, The Winnipeg Free Press, CBC News Network, The Independent Uganda, New Vision Uganda, and China Global Television Network (CGTN) “Africa Live.” Some of these features are showcased in this path to offer viewers an opportunity to see how various news media took up the exhibit.

We found that most of the sources functioned as a platform for more storytelling and comment by those who were involved with the exhibit. Therefore, the main information this analysis comprises involves: 

• The way each piece of news media frames and engages the exhibit

• The types of questions posed by journalists

• The responses to these questions, by those involved

• The future directions that appear to be relevant based on the exchanges in news media.

Through a close reading of the news media sources we found five main themes, 

As a strategy for impact and engagement, Conjugal Slavery in War (CSiW), the Canadian Museum for Human Rights (CMHR), and the Refugee Law Project (RLP), engaged news media and journalists in the launch of the Ododo Wa: Stories of Girls in War exhibits. Journalists and news media organizations have been an integral part of documenting the exhibit, its travels, and its aims. As a result, there is a wealth of materials to consider in a news media analysis of responses to Ododo Wa. 

In our definition of news media, we include arts news, events news, University news, and features in CTV News, Winnipeg Free Press, CBC News Network, The Independent Uganda, New Vision Uganda, and China Global Television Network (CGTN) “Africa Live.” Some of these features are showcased in this path to offer viewers an opportunity to see how various news media took up the exhibit.  

We found that most of the news media sources functioned as a platform for more storytelling and comment by those who were involved with the exhibit. Therefore, the main information this analysis comprises involves: 

• The way each piece of news media frames and engages the exhibit
• The types of questions posed by journalists
• The responses to these questions, by those involved
• The future directions that appear to be relevant based on the exchanges in news media.

Through a close reading of the news media sources we found five main themes.  
 

As a strategy for impact and engagement, Conjugal Slavery in War (CSiW), the Canadian Museum for Human Rights (CMHR), and the Refugee Law Project (RLP), engaged news media and journalists in the launch of the Ododo Wa: Stories of Girls in War exhibits. Journalists and news media organizations have been an integral part of documenting the exhibit, its travels, and its aims. As a result, there is a wealth of materials to consider in a news media analysis of responses to Ododo Wa. 

In our definition of news media, we include arts news, events news, University news, and features in CTV News, Winnipeg Free Press, CBC News Network, The Independent Uganda, New Vision Uganda, and China Global Television Network (CGTN) “Africa Live.” Some of these features are showcased in this path to offer viewers an opportunity to see how various news media took up the exhibit.  

We found that most of the news media sources functioned as a platform for more storytelling and comment by those who were involved with the exhibit. Therefore, the main information this analysis comprises involves: 

• The way each piece of news media frames and engages the exhibit
• The types of questions posed by journalists
• The responses to these questions, by those involved
• The future directions that appear to be relevant based on the exchanges in news media.

Through a close reading of the news media sources we found five main themes.  
 

As a method of strategy for impact and engagement, Conjugal Slavery in War (CSiW), the Canadian Museum for Human Rights (CMHR), and the Refugee Law Project (RLP), engaged news media and journalists in the launch of the Ododo Wa: Stories of Girls in War exhibits. Journalists and news media organizations have been an integral part of documenting the exhibit, its travels, and its aims. As a result, there is a wealth of materials to consider in a news media analysis of responses to Ododo Wa. 

In our definition of news media, we include arts news, events news, University news, and features in CTV News, Winnipeg Free Press, CBC News Network, The Independent Uganda, New Vision Uganda, and China Global Television Network (CGTN) “Africa Live.” Some of these features are showcased in this path to offer viewers an opportunity to see how various news media took up the exhibit.  

We found that most of the news media sources functioned as a platform for more storytelling and comment by those who were involved with the exhibit. Therefore, the main information this analysis comprises involves: 

• The way each piece of news media frames and engages the exhibit

• The types of questions posed by journalists

• The responses to these questions, by those involved

• The future directions that appear to be relevant based on the exchanges in news media.

Through a close reading of the news media sources we found five main themes.  
 

As a method of strategy for impact and engagement, Conjugal Slavery in War (CSiW), the Canadian Museum for Human Rights (CMHR), and the Refugee Law Project (RLP), engaged news media and journalists in the launch of the Ododo Wa: Stories of Girls in War exhibits. Journalists and news media organizations have been an integral part of documenting the exhibit, its travels, and its aims. As a result, there is a wealth of materials to consider in a news media analysis of responses to Ododo Wa. 

In our definition of news media, we include arts news, events news, University news, and features in CTV News, Winnipeg Free Press, CBC News Network, The Independent Uganda, New Vision Uganda, and China Global Television Network (CGTN) “Africa Live.” Some of these features are showcased in this path to offer viewers an opportunity to see how various news media took up the exhibit.  

We found that most of the news media sources functioned as a platform for more storytelling and comment by those who were involved with the exhibit. Therefore, the main information this analysis comprises involves: 

1. The way each piece of news media frames and engages the exhibit

2. The types of questions posed by journalists

3. The responses to these questions, by those involved

4. The future directions that appear to be relevant based on the exchanges in news media.

Through a close reading of the news media sources we found five main themes.